The floor for this production started with a flat base of cherry red. Three layers of stamps were applied, followed with a sponge rolled gradient along the edges. A layer of color was stamped on top of that, followed by a sprayed matte sealer and satin sealer stamps.

The proscenium was mostly scumbled, with some clouds fuzzily placed on top. Kraft paper soaked in glue was applied for the physical trees, and black paint was applied on top of that once dry.